The lines are known as geoglyphs – drawings on the ground made by removing rocks and earth to create a “negative” image. Reiche battled single-handedly to protect the site she even lived in a small house near the desert so she could personally protect the lines from reckless visitors. Reiche studied the lines for 40 years and fought unyieldingly for her theories on the lines’ astronomical and calendrical purpose (she received a National Geographic grant in 1974 for her work). Kosok was followed by the German Maria Reiche, who became known as the Lady of the Lines. Kosok called the 310 square mile stretch of high desert “the largest astronomy book in the world”.
#Alien glyphs full#
At the end of a full day studying the lines, Kosok looked up from his work to catch the sunset in direct alignment with the line. American professor Paul Kosok investigated and found himself at the foot of a line on June 22, 1941-just one day after the winter solstice. However, since the lines are virtually impossible to identify from ground level, they were only first brought to public awareness with the advent of flight-by pilots flying commercial planes over Peru in the 1930s. Peruvian archaeologist Toribio Mejia Xesspe was the first to systematically study the lines in 1926. Some of the straight lines run up to 30 miles, while the biomorphs range from 50 to 1200 feet in length (as large as the Empire State Building). In total, there are over 800 straight lines, 300 geometric figures and 70 animal and plant designs, also called biomorphs. The lines are found in a region of Peru just over 200 miles southeast of Lima, near the modern town of Nasca. How were they formed? What purpose could they have served? Were aliens involved? These are the renowned Nasca lines-subject of mystery for over 80 years. Some of the swirls and zigzags start to form more distinct shapes: a hummingbird, a spider, a monkey. The landscape changes as lines take shape to form simple geometric designs: trapezoids, straight lines, rectangles, triangles, and swirls. Strips of white crisscross a desert so dry that it rains less than an inch every year. Distinct white lines gradually evolve from tan and rust-red. Posting a comment constitutes your agreement to abide by the terms and conditions linked herein.As a plane soars over the high desert of southern Peru, the dull pale sameness of the rocks and sand organize and change form. Please read all applicable terms and conditions before posting a comment on this blog. The final segment was originally part of segment 2 of “ The Sentinels,” covering rock carvings on the Marquesas Islands. The following segment continues replaying the succeeding part of “The Wisdom Keepers” on supposed (and very fake) “Egyptian” carvings in Australia. With too little material to fit the time, it also crams in part of a segment from a 2016 episode on “ The Wisdom Keepers” featuring Australian petroglyphs. The fourth segment covering Zuni petroglyphs comes from a 2014 episode in which a fitter and better-coiffed Giorgio Tsoukalos hunted “ Aliens in America.” The segment pulls off one surprise. geoglyphs marked the original Aztec homeland.
![alien glyphs alien glyphs](https://cdn1.epicgames.com/ue/product/Screenshot/MoreXenoGlyphs_screenshot_04-1920x1080-ebc09e9eb78c43d7dc95e33f6f3b5b9c.png)
The third segment was originally the second segment of a 2018 episode on deserts claiming that southwestern U.S. Native geoglyphs near former lakebeds.The second segment is the tail end of the show’s 2018 “ Earth Station Egypt” special on the temple of Edfu. The first segment is taken from the second segment of a 2019 episode on mountains.